The Year 1905 in Film: The Debuts of Max Linder, China, Republic of Macedonia and Slovenia
A review of significant events in the year 1905 in film and profiles of the principle players behind them. Includes a YouTube playlist of over 13 hours.
Category: American Cinema
The Year 1906 in Film: The Debuts of Éclair, Feuillade, Bosetti and Finland
A review of significant events in the year 1906 in film and profiles of the principle players behind them. Includes a YouTube playlist of nearly 20 hours.
The Year 1907 in Film: The Debuts of Éclair, Essanay and Kalem
A review of significant events in the year 1907 in film and profiles of the principle players behind them. Includes a YouTube playlist of nearly 18 hours.
The Year 1896 in Film: The Debuts of Georges Méliès, Pathé frères, American Mutoscope, and Gaumont
A review of significant events and principle players in the year 1896 in film. Includes a YouTube playlist of 256 films.
The Year 1908 in Film: The Debuts of Detective Films, Film d’Art, Peplum, Griffith and the Russian Film Industry
The Year 1908 in Film: The Debuts of Detective Films, Film d’Art, Peplum, Griffith and the Russian Film Industry. Includes a YouTube playlist.
Seven Days in May (1964)
“Every now and then a man on a white horse rides by, and we appoint him to be our personal god for the duration. For some men it was a Senator McCarthy, for others it was a General Walker, and now it’s a General Scott.”
The Petrified Forest (1936)
I really enjoyed watching this film and looked forward to some scholarly insights on the commentary track by Eric Lax, co-author of a Humphrey Bogart biography and several other books.[…]
Shanghai Express (1932)
A film like this that deals openly with the subject of prostitution and pokes fun at conventional morality would be impossible to make in Hollywood after the Hays Code began to be rigidly enforced in 1934.
Early Film Pioneers: Alfred Clark and the Birth of the Historical Reconstruction Film
Alfred Clark began working for the Edison Manufacturing Company in 1895 and is the first film-maker known to have used the stop-motion technique and very probably the first to have filmed an historical reconstruction.
The Unbeliever (1918): Edison Bows Out of the Film Business
A wealthy young atheist finds God, love, and loses his sense of class distinction in one the Edison company’s final productions.
