The Birth of Cinema, 1874-1895
The Birth of Cinema: a review of the events and players who contributed to the development of the film industry from 1874-1895. Includes a YouTube playlist.
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L’Evoluzione delle Cineprese nel Cinema Americano, Parte 3 – La Bell & Howell 2709 – Silent Valerio Page on:
The Birth of Cinema: a review of the events and players who contributed to the development of the film industry from 1874-1895. Includes a YouTube playlist.
Historian David Bond explores the connection between French pantomime in the first decade of the 20th Century and one of Europe’s first feature-length films, L’Enfant prodigue (The Prodigal Son).
A Pathé film of uncertain date has long been identified as Les Tulipes (1907).
“Every now and then a man on a white horse rides by, and we appoint him to be our personal god for the duration. For some men it was a Senator McCarthy, for others it was a General Walker, and now it’s a General Scott.”
Some of the most important early developments in “talking pictures” were stimulated by the Paris Exposition of 1900. One of the most notable cinematic events at the Exposition was the[…]
I really enjoyed watching this film and looked forward to some scholarly insights on the commentary track by Eric Lax, co-author of a Humphrey Bogart biography and several other books.[…]
A film like this that deals openly with the subject of prostitution and pokes fun at conventional morality would be impossible to make in Hollywood after the Hays Code began to be rigidly enforced in 1934.
Though it seems sacrilegious to say so, I think this is a better film than anything Hitchcock made.
Alfred Clark began working for the Edison Manufacturing Company in 1895 and is the first film-maker known to have used the stop-motion technique and very probably the first to have filmed an historical reconstruction.
A wealthy young atheist finds God, love, and loses his sense of class distinction in one the Edison company’s final productions.
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